Archive for Cape Town

Escape Velocity: Pan African Space Station Returns

Posted in art & music, race, sci-fi with tags , , , , , , , , , , , , , , , , on October 6, 2010 by Sunshine Superboy

Pan African Space Station blueprint

Coming Back Atcha! The radio stylings of the Pan African Space Station, which first blasted off last year, achieved escape velocity on September 12th, 2010. mbuso_panafrican

The Pan African Space Station (PASS) a 30-day music intervention on the internet and in venues across greater Cape Town is back from September 12 – October 12, 2010. Listen live to PASS radio, a unique freeform radio station featuring themed shows, live performances and readings, sound art, interviews and much more.

pan african space station events

From September 28 – October 2, PASS III plays host to genre-busting music outfits from global Africa dedicated to exploring new musical territory. Catch Doctor Philip Tabane & Malombo, the Kyle Sheperd Trio, Brice Wassy, Imperial Tiger Orchestra, G&D (Georgia Anne Muldrow & Declaime), Johnny Cradle, the Thandiswa Mazwai Trio, Theo Parrish, Mbuso T and his Maf &so Soundsystem, Studio Kabako‘s More more more… Future and more. PASS events Cape Town

Stop reading. Go listen.
Sunshine Superboy

Monopoly and Its Anti-Capitalist Origins

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 27, 2009 by Sunshine Superboy

Some kid from Cincinnati thinks I should blog about this…
(not that this is a pic of his town. its actually Atlantic City by nite)
atlantic-city

According to the BBC

A massive multi-player version of the popular property game Monopoly has been launched online. Monopoly City Streets, developed by toymaker Hasbro, will go live on 9 September for four months. The free game uses Google Maps or the open source Open Street Map as the playing board. The toymaker claims it will be “the biggest game of Monopoly of all time” and will allow players to purchase almost “any street in the world”. The goal of the game, like the real-world version, is to earn money on real estate and become the richest property magnate.

New players are given three million Monopoly dollars to build their virtual empire.
Every street in the world is, in theory, available for purchase. Once a player has taken control of a street, they are able to charge rent and build new virtual properties. Streets can also be traded and sold with other players. The game makers have introduced chance cards, which allow players to sabotage neighbouring rivals by building rubbish dumps, prisons or wind farms on their property to reduce the rent value of their neighbours. Players can only remove a hazard by bulldozing it off their property, again through the use of chance cards. The game will close on the 31 January 2010.

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Yay playing at capitalist dispossession!

BFD. I was always more into the olde skool trivia- this being one of the oldest board games in my relatively young country. Like how, on the one hand I was probably half-way to college by time I’d learned that the properties were all based on streets in Atlantic City, New Jersey (Hence a bunch of streets that aren’t in New York for some reason, and the Boardwalk being the big payload). In fact, the little orange link below has some interesting clarifications on where exactly these names come from geographically (its not all actually streets), including which trains really ran in Atlantic City 100 years ago and so on, and what-have-you.

What really struck me, on the other hand, was the moment when my partner (who is quaker), told me about how Monopoly was created by a Quaker who wanted to make a game that taught people how effed up capitalism was, and how it makes everybody go broke (except for that one jerk who wins by exploiting everybody else). I was skeptical but wanted so badly to believe the rumor. After all, it totally made sense. So I did what most high schoolers, and too damn many undergraduates would consider “research”. Thus, according to wikipedia:

The history of Monopoly can be traced back to 1904, when a Quaker woman named Elizabeth (Lizzie) J. Magie Phillips created a game through which she hoped to be able to explain the single tax theory of Henry George (it was intended to illustrate the negative aspects of concentrating land in private monopolies). Her game, The Landlord’s Game, was commercially published a few years later. Other interested game players redeveloped the game and some made their own sets. Lizzie herself patented a revised edition of the game in 1904, and similar games were published commercially.

By 1935 a board game named Monopoly was created much like the version of Monopoly sold by Parker Brothers and its parent companies throughout the rest of the 20th century and into the 21st. The Parker Brothers’ version was created by Charles Todd but sold to them by Charles Darrow. Several people, mostly in the U.S. Midwest and near the U.S. East Coast, contributed to the game’s design and evolution.

So all this got me to thinking about how the Monopoly board, for all its iconography is also a bizarre slice of urban history in its representation of Atlantic City. For example, Illinois Ave (the real one for which one of the “red” properties just past free parking was named), has been Martin Luther King Jr Blvd since sometime in the 80s. Weird huh? I bet a lot of folks would be much more excited about a version with that guy’s name on it instead of the state that in recent history made Rod Blagojevich (he and some other political, movement-leading black guy) famous.

That, and apparently there was some online vote a year and half ago where “the world” decided that these were the cities that should be included on a ludicrous 2008 “World Monopoly” game edition. This may make you cry:
board

In case you can’t see it well enough to be depressed about it, the only two countries to have more than one city pimped out on the board are Canada (Vancouver, Toronto, and Montréal), and China (Hong Kong, Beijing, and Shanghai). This is supposed to be World Monopoly. There are no cities in Latin America represented, folks! And none in India! WTeffers?! Riga (the capital of Lativa) is the 2nd most sought-after property in the world?! People!! Join me, please, in reading down this roster of utter disappointment. Going clock-wise from “GO”:

Brown
Gdynia280px-Riian_vanhakaupunki
Teipei

Light Blue (celeste)
Tokyo
Barcelona
Athens

Pink
Istanbul
Kiev
Toronto

istanbul was constantinople

istanbul was constantinople

Orange
Rome
Shanghai
Vancouver

Red
Sydney
New York
London

Yellow
Beijing
Hong Kong
Jerusalem

Green
Paris
Belgrade
Cape Town

Blue
Riga (pictured above)
Montréal

In classic form, now that I’ve brought you down, I’ll leave you on a posi note. By introducing you to Riskopoly!!! Behold:
riskopoly_large

Instructions are as follows

As explained on the map, all of the trains connect. “Attack Jail” is a one way attack to the opposite corner. “Go” can attack any corner. All Chance spaces (question marks) are connected to the deck of Chance cards, and likewise all War Chest spaces (shields) connect to that deck (spaces can attack the deck and the deck can attack the spaces). The Chance/Chest spaces are part of their color’s continent, and the decks are part of the orange and yellow continents.

The utilities (Electric Co. and Water Works) can attack their deed cards laying in the lower left corner of the board. These two deed cards can also attack each other. The bills are also territories connected to each space they touch, and the bills are part of their color’s continent.

This is NOT a one directional board, attacks can go in either directions (except for the special corners as described above). There are 48 territories all together.

This is made entirely with original art, built from scratch. There is no copyrighted material on the map. The names of the spaces are all street names found in Atlantic City. The Parker Bros. patent for Monopoly expired in 1985.

I plan to add some more decoration (some dice and maybe a drink on a coaster…), but will wait until any further structural or game play issues are worked out.

Ideas floating around that could be discussed: make it one way, use Risk country names instead of the street names, no bonus for “free army” space, no penalty for tax space, more money around edge of board, make it a deck of “risk” cards instead of “chance” cards, put “just visiting” back in, etc.

I’ll leave all of that undigested. This may trump (ha ha, get it, atlantic city?!), Simpsons Monopoly as my here to fore favoritest version of the anti-capitalist classic.

À Bientôt!
Sunshine Superboy

Put your makeup on, Fix your hair up pretty
and meet me tonight in Atlanitc City:

Pan-African Space Station

Posted in anthropology, art & music, race, sci-fi with tags , , , , , , , , , on October 1, 2009 by Sunshine Superboy

There Are Other Worlds Out There They Never Told You About…

pass-facebook-copy_2 For a few more weeks, you can jam out to the sounds of streaming Pan African Space Station Radio. Check it outs!!!

The Pan African Space Station (PASS) is a 30-day music intervention from September 12 – October 12, on radio and the internet, as well as venues across greater Cape Town. It is an opportunity for Capetonians and visitors to engage up-close with the rich and complex web of creative expression which binds Africans across the globe.
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PASS is also an exploration of and an intervention into spatial and cultural ghettos in the city and how to link them physically (through the music venues) and conceptually (on radio and the internet). Now in its second year, PASS continues its cross-cultural and cyber-spatial exploration, bringing together diverse pan-African sounds from ancient grooves to future hip-hop.3947868049_85771440e7_m

SPACE I

PASS radio, a unique freeform radio station, is back with 30 days of cutting edge music streamed live online. The station features themed shows, live performances and readings, debates, sound art, speeches, interviews and much more.
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In the build-up to the festival, throughout September, the daily radio programme includes a free, live performance at PASS studios on Long Street. These live sessions run between 7-9pm and are curated by guest musicians, DJs and artists, including world-renowned, Montreal based groove archaeologist DJ Andy Williams.3955517532_89ffe7d89b
Other highlights on this year’s broadcast programme include Songs for Biko, a 24-hour praise party for Steve Biko on 12 Sept (Biko Day) and Songs for Bheki, a musical tribute to the late philosopher and musician Bheki Mseleku, which closes the live music component on October 4.

SPACE II

From October 1 – 4 2009, PASS II plays host to genre-busting music outfits from global Africa dedicated to exploring new musical territory. The line-up features Kora maestro Toumani Diabate; Queen of Ndebele music, guitarist Nothembi Mkhwebane; 9-piece, Chicago-based jazz troubadours Hypnotic Brass Ensemble; Cameroonian funk-master Franck Biyong and his Massak Afroletric Orchestra; Zanzibar’s legendary taarab orchestra and social club, the Culture Musical Club; Ras_G & the Afrikan from his El-Ay, Western Sahara space base; and Ghanaian Pidgin rapper Wanlov the Kubulor.

PASS II also features a series of new collaborations between South African musicians: Barry van Zyl’s southern African sound-rhythm stew, Baboti are joined by jazz vocalist and trombone player Siya Makuzeni; and politically engaged, slamming jazz upstarts uDaba perform with spoken-word author Kgafela oa Magogodi. Some of the continent’s most esteemed selectors, including Dar es Salaam’s DJ Yusuf Mahmoud and Cape Town’s own Fong Kong Bantu Soundsystem are also making appearances. In addition, the festival includes a collaborative, experimental chorale work based on the novella War Chorale by pioneering Chilean writer Fernando Alegria, with composition and direction by jazz guitarist Bheki Khoza.
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The live music component PASS takes place in a series of different venues across greater Cape Town, engaging diverse together audiences and provoking new forms of creative expression and social mobilization that foreground history and memory as well as agency and difference. Audiences will travel from St Georges Cathedral, the Centre for the Book and the Slave Church in the city centre to Guga S’thebe in Langa and All Nations Club in Salt River.

thanks to my Capetonian peops for passing all this info along! You can stay in the loop from afar thru the Pan African Space Station blog!

who no know go know,
Sunshine Superboy

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